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UK
Release Date: |
25
October 2004 |
Track
Listing: |
1. Karate
2. Johnny And I
3. Rich And Famous
4. See You At The Railroads
5. What's Going On?
6. Miami
7. In Control Of The Beats
8. Voice (On The Radio)
9. Go On (And Leave Me)
10. New Romantic Sounds
11. I Touched Her Legs
12. Ghost
13. Julianna
14. Cool Girl
15. Calculating
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Superheroes
- Behind Our Masks We Are Perfectly Ordinary People (Sidewinder)
Published:
musicOMH,
October 2004
Original
article:
http://www.musicomh.com/albums/superheroes.htm
From
Electroclash to poodle rock and now even Robbie Williams
tuning into Gary Numan on his Radio, it seems the eighties
revival is still going strong. Danish sextet Superheroes
adds further to the neon glow. A glitterball shines on Behind
Our Masks We Are Perfectly Ordinary People throughout with
its synth-heavy pop, quirky electronic hooks and glammed
up, often throw away lyrics.
The
album opens with a spoken sample of the title followed by
a scream making it clear from the very start that this is
not a band who take themselves too seriously. Karate, with
its happy electro-riffs and jaunty guitar, further instills
their sense of humour. It comes as no surprise then that
vocalist Thomas Troelsen and co. are good friends with delirious
dance duo, Junior Senior, who make appearances
on Johnny And I, a stupidly upbeat burst of carefree synth
pop, and Cool Girl, a perky, pogo-beated complaint about
a girlfriend's leather jacket and lipstick borrowing.
Rich
and Famous has an almost annoyingly catchy synth-line which
is backed up with bouncing bassline and spaced out sound
effects and overlaid with tales of affluent jetsetting while
New Romantic Sounds is just that with its Human
League-styled male/female vocal harmonies and warm,
keyboard chords.
But
there is more to Superheroes than plain retro-futurism,
See You At The Railroads is a beautiful, slow-paced ballad
initially featuring soft acoustic harmonies and emanating
a wistful melancholy before the tempo increases for a sun-kissed
chorus. This is perfect, heart-string tugging pop reminiscent
of The Cranberries or one of Dubstar's
finer moments - a melodic, emotion-laden breath of bittersweet
air.
What's
Going On also has a sensitive love-struck sentimentality
and along with the harmonic loveliness of Voice (On The
Radio) and tear-streaked Go On (And Leave Me), offers a
depth and variety to an album that is otherwise chock-full
of dippy party music and ironic eighties-styled posing.
Thomas
Troelsen's voice is soft and feminine but he shows some
vocal versatility, developing a Tim Burgess-style
sneer on Miami, which forms one of many guitar-laced electro-rock
anthems that burst with energy and verve. Indeed, some tracks
have an infectious energy running through them and effortlessly
create the urge to get up and dance, none moreso than the
lager-fuelled chant of In Control Of The Beat, which is
so frantically buoyant and carefree as to be almost disposable.
The bizarre, obsessive confessional, I Touched Her Legs,
also has the same jump-around quality but Ghost takes us
deep into sub-Nick Kershaw territory, lacking
substance and inspiration.
Closing
track Calculating has a down-trodden charm and again demonstrates
the Superheroes' touchingly fragile side but the inexplicably
repetitive percussive ending spoils its charms somewhat.
What
Behind Our Masks We Are Perfectly Ordinary People may lack
in snappiness of name it more than makes up for with its
punchy pop and shiny synthesiser symphonies and has more
hooks than an anglers' convention. The Superheroes' music
may take such inspiration from the past at times as to be
dismissible as mere misty-eyed nostalgia but this is an
album that raises many a smile and also takes time for moments
of sedate introspection. At times joyously happy and at
others painfully downcast, this is a modern synth pop opus
full of emotion, fun and, most importantly, well constructed
pop songs.
-
Ian Roullier |